Emer O' Flaherty New Album

My New Album

Go dtí seoOn Sale Now

‘Go dtí seo’ is Emer’s first release and features Edel Vaughan (voice, flute, whistle), Therese McInerney (fiddle), Gráinne Cotter (fiddle), Philip Fogarty (accordion), Paddy Mulcahy (bass) and Angelo Heart (drums) and Emer herself on piano, flute and voice.

The ten tracks represent Emer’s musical exploration up to now, from her roots in sean nós (‘Cúirt Bhaile Nua’ and ‘Amhrán na Leabhar’) with all other tracks self penned. Her writing heavily features a love of nature and a sense of place.

ALBUM TRACKS

Go dtí seo

Emer O Flaherty Album Cover
01 Ag gearradh romhan
03:46
02 Cá bhfuil tú?
04:46
03 Cúirt Bhaile Nua
04:19
04 Neilí Bheag
03:28
05 Stáisiún Traenach
03:18
06 Grian Dhubh
04:06
07 Amhrán na Leabhar
05:38
08 Taibhse
04:03
09 Suantraí
03:38
10 Bird Interrupted
03:47

A Glimpse Into the Album

Click below to hear a preview of the title track through the Bandcamp player.

Irish Music Magazine Review

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Go dtí Seo
Own Label, 10 Tracks, 40 Minutes

“The role of the singer songwriter has been one of troubadour and newscaster. Whatever the vernacular, the function remains the same as does the song to quote Led Zeppelin. When it comes to songwriting in the Irish language as opposed to English, the same governing rules apply. Thus, Emer O’Flaherty finds herself in a growing niche as a predominantly Gaelic speaking singer-songwriter.

From Ennis she combines her commanding voice and lyrics with her multi-instrumental abilities on piano, organ, flute and tin whistle. With the increased popularity of spoken Irish, her debut album Go dtí Seo is a courageous and momentous release. For her influences she chases everything from sean-nós to contemporary forms and musically the mood is down tempo. However, it’s not a gloomy affair, far from it as it aims for the deep heart’s core and succeeds.

Ag Gearradh Romham is a resonant opener that highlights her strong distinctive vocals behind a stirring yet restrained backing. Ca Bhfuil Tu hides Baroque folk/rock roots while Staisun Traenach emits a poignant tale of romantic disappointment and departure seasoned by breathy flute and accordion. Neilli Bheag and Suantrai are melodic instrumental pieces that add further slow burning lustre. Hints of Laura Nyro and Shelagh MacDonald permeate the piano led musings like Grian Dubh, and jazz nuances also raise their head on Cuirt Baile Nua and Taibhse. Contrast is provided by a straight sean-nós delivery of Amhran Na Leabhair to a sparse piano backing where all the poignancy is evidently focused. The sole English language track Bird Interrupted neatly turns the tables proving equal giftedness in the Ango Saxon gloss.

This is music to dwell on, drink deeply from and wonder at her prowess. Emer O’Flaherty

John O’Regan

Irish Music Magazine

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Emer O' Flaherty